How To Draw Manga Style Eyes
Manga character s eyes are one of if not the hardest part of the face to master.
How to draw manga style eyes. Now you d think eyes would be fairly intuitive to draw seeing as how everyone has them and you see them all the time. Eyes are a signature defining aspect of manga drawing technique. When you learn the basic recipe of how to draw manga eyes i promise you ll learn it in no time you will be able to create your own variations of manga eyes as you wish.
In this instructable i m going to show you how to make two different types of manga eyes. Draw things that are hidden sketch out hidden parts of a drawing it s sometimes a good. Based on the style.
They re actually fairly simple to draw since they re just made up of a few basic shapes. It s not always clear to aspiring artists how the proportions work and how to actually start the process of drawing those eyes. Anime eyes side view anime eyes are usually drawn much larger than real eyes in relation to the head and often tend to be vertically stretched.
Manga is japanese art comics. Anime eyes are big expressive and exaggerated. How to draw manga eyes two ways.
Here s a basic easy to follow guide that will help you with the basics of drawing anime style eyes. For more on drawing anime eyes see. So first i got the lower line based on where the circle representing the skull meets with the lower.
Luckily you re not alone. They are actually one of the trickiest parts for artists to get down skillfully especially on manga characters since they tend to be much more expressive. Variations on manga eyes are virtually infinite as many as you can imagine.
Eyes are where most of someone s emotion is expressed and when drawn well an artist can create several layers of depth for a character. There are different variations on the style of drawing but they all have the same way about them. This tutorial explains how to draw anime and manga style eyes from the side view in different states and with different expressions using step by step examples.
